Little
Star
by
John Adjvide Lindqvist
Thomas
Dunne Books (2012)
544
pages
ISBN
0312620519
After Lindqvist tackled vampires,
zombies, and ghosts with his three previous novels, I saw the title
"Little Star" and half-expected a novel with aliens. Nope.
Lindqvist had something entirely different in mind, but there was
definitely an alien quality to the main character in this novel. And
just like his previous novels, a very strong sense of dread.
Lennart discovers a baby buried and
abandoned in the middle of the woods. Lennart, a washed-up musician,
hears her plaintive cries and sees a second chance at fame with this
little star in the making, because her voice is so unnaturally
perfect that it's almost mesmerizing. He takes her home and keeps her
hidden in the basement where she's raised. His stark shift in
behavior worries his wife and eventually draws the attention of his
estranged son, Jerry, who discovers the child and blackmails them for
money in exchange for silence. It's an incredibly strange and
altogether engaging family dynamic, as the little girl grows to
become a young teen with no knowledge of the outside world, with
music as her only companion. It is near the end of the first act when
a terrible event occurs that leaves Lennart and his wife dead, and
Jerry left to care for Theres.
It's a startling shift in the story,
which sends the lives of Jerry and Theres spiraling along a path that
seems destined for ruin. And yet, through an almost inconceivable
series of events, Theres winds up on the stage auditioning for
Swedish Idol, wowing judges and viewers with her immaculate
voice, though her odd--almost robotic--behavior prevents her from
fully realizing her dreams of reaching a large audience. Enter
Teresa. She's a girl of nearly the same age as Theres, and despite
her academic gifts is unable to really empathize with anyone or
anything. She herself feels a bit like a robot, but when she sees
Theres perform on TV something inside sparks to life. From there,
it's pretty clear the two girls are destined to meet, and when they
do, the true nature of each girl comes to bear.
Lindqvist took a holiday from the overtly
supernatural with this novel, but the weird was on full display. The
book lagged in the middle for me, but I think that's because the
first act wound up ending on such a wild climax that the second act
felt like some kind of reset button had been hit. It took a while for
the story to reveal itself, as Lennart's story ended and Jerry's
began, followed soon by Teresa's. If you can stick through the book
though, the ending packs a serious whollup. Little Star may be
the weakest of the three Lindqvist novels I've read (Let the Right One In and Harbor), but it still wound up one of the best
novels I read in 2012.

3 comments:
I reviewed this one a while back, and I think I came to pretty much the same conclusions as you--although I have to admit that I liked it slightly better than I did his previous novel HARBOR.
"Everyone is actually called something else"--that's a line that was repeated a lot in LITTLE STAR, which sums up one of the many themes of the book: the malleable nature of identity.
Nice write-up.
My review (if you're interested)
--J/Metro
This sounds really wild. I'll have to check out this author.
Jonny - A very cool line, indeed. Thanks for the link. I'll check that out.
MR - You better. And look up "Let the Right One In" while you're at it. :)
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