Colombiana
starring Zoe
Seldana, Michael Vartan, and Cliff Curtis
directed by
Olivier Megaton
screenplay by
Luc Besson and Robert Mark Kamen
TriStar Pictures
(2011)
I wasn't sure what to expect from this movie when I sat down to watch
it, because I can't remember it making much of a dent at the box
office. It's apparently turned a profit though, which is good because
it might warrant seeing Zoe Seldana in more leading roles, because
even with a movie as thinly scripted as this one she does a bang-up
job.
She plays Cataleya, the daughter of a drug runner who is murdered by
a Colombian drug lord, along with Cataleya's mother, while young
Cataleya (played by Amanda Stenberg) watches. After escaping to
America, she finds her uncle Emilio (Cliff Curtis) and convinces him
to teach her how to become an assassin. The comparisons to The
Professional become pretty clear at this point, but the movie
really gets going when it jumps ahead to Seldana as Cataleya. She is
like a viper, striking suddenly and swiftly, then slithering off
before anyone even knows she was there.
As far as character development goes, there is some kind of romance
between Cataleya and an artist named Danny (Michael Vartan), which I
guess is supposed to harken back to her desire to be normal once her
thirst for revenge is satiated, but to me it just felt tacked on and
a distraction from what was really the only interesting thing about
the movie: the action.
Zoe Seldana could easily become an action hero if she set her sights
on that. And after seeing this movie, I kind of wondered what chance
there was of an all-female version of The Expendables with the
likes of Angelina Jolie and Milla Jovovich--not likely, I'm guessing.
The action scene are laid out beautifully with as much artistic flare
you might expect from a higher end film. Part of the beauty comes
from Seldana dance background, which is used to great effect as she
lithely thwarts her enemies with acrobatic feats and slick martial
arts moves. Even the kid, Stenberg, has a moment to shine on the
action side of things with a chase scene through the tightknit
alleyways of Bagota, Colombia.
The villains are about as richly drawn as stick figures, which is a
shame because a nemesis that actually felt like a real person instead
of a caricature would have done wonders for any lasting impression of
this movie. In the end, it's disposable popcorn fare that is easily
forgotten except for a couple key action sequences. Zoe Seldana is
very much the star of the this movie and without here, there isn't
much of a reason to watch it.

1 comment:
I thoroughly agree with your review. It's not the first movie bearing the Luc Besson seal that feels rushed. Like they dressed up a good setting around a single good idea. LOCKOUT is also like that.
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