Wet Hot American Summer
starring Michael
Showalter, Janeane Garofalo, David Hyde Pierce, Paul Rudd, Amy
Poehler, Bradley Cooper, and Christopher Meloni
directed by
David Wain
screenplay by
David Wain and Michael Showalter
USA Films (2001)
I finally watched this movie and it only took me 11 years to do it.
It was an underdog comedy set to come out during the summer of 2001,
and given it was a satire of those old comedies of the 80s, like
Porky's and Meatballs, that I loved as a kid, it seemed
like a sure hit. Then, it got crapped on by everybody and
tanked at the theater so bad, the only movie that might have done
worse that year was Mariah Carey's Glitter. Sufficed to say, I
never bothered going to the theater to see it, and I never made an
effort to find it on VHS--yes, there were still more video-tapes than
DVDs way back then.
Then, around 2007, something happened. I guess enough time had
passed, and Wet Hot American Summer hit some kind of cult
status. My interest was renewed, but it wouldn't be until this year
that I'd finally get my hands on a copy.
It's 1981 and the last day of summer camp for a group of Jewish kids
in a bucolic section of Maine. There's a talent show in the works for
that night, but in the mean time everyone is trying to squeeze as
much fun out of their final hours before they all have to go home.
For Coop (Michael Showalter), that means finally asking out the girl
of his dreams and fellow counselor, Katie (Marguerite Moreau), which
is not easy given his shyness and the fact she's been seeing Andy
(Paul Rudd). For Victor, that means hooking up with the sluttiest
girl at the camp, Abby, only to get relegated to driving a vanload of
the kids to go canoeing. And for the camp director, Beth (Janeane
Garofalo), she has to balance newfound love with the neighboring
astrophysicist (David Hyde Pierce) and keeping the counselors and
kids from killing themselves and each other.
If Dazed and Confused had been filmed as a sardonic slapstick,
it might have looked something like Wet Hot American Summer.
The whole movie is like a frenetic homage to those screwball comedies
from the old days. It's kind of uneven in its approach though. Some
characters are portrayed so earnestly, while others are played as
insane parodies, and when the two share the screen it came off as
awkward. The movie is basically a stitched together sketch comedy
with just enough plot running through to hold it all together. But
when the zaniness is turned up to ridiculous degrees, it kind of
takes away from the whole experience.
It's really hard to criticize a movie that intentionally casts actors
ten years too old for their roles. That alone makes the movie so
delightfully screwed up that any hair-brained points in the movie are
unconditionally forgiven. And to see a movie starring actors who are
now bona fide stars like Paul Rudd, Elizabeth Banks, Amy Poehler, and
Bradley Cooper--not to mention bit parts from two of my favorite
comedic actors, Judah Friedlander and H. John Benjamin as a can of
vegetables--the movie has a wonderful yearbook vibe to it.
I found out there is a prequel in the works with the entire cast
reprising their roles. That's so crazy it just might be crazy--and I
can't wait to see it.

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