It's
pretty easy to declare the zombie genre dead, pun intended, but it
seems there is always an author who will come along and offer some
new perspective, some new twist, on the well-worn walking dead. TySchwamberger is the latest to step up to the plate with The
Fields, which promises to be a stand-out in a crowded room.
Here's some info on the book courtesy of The Zombie Feed:
Billy Fletcher learned to farm the family’s tobacco fields–and beat slaves–by the hands of his father. Now, his father is dead, the slaves have long since been freed, and the once-lush fields are dying. Salvation by the name of Abraham knocks on the farmhouse door, bring wild ideas. He can help Billy save the plantation and return the fields to their former glory… by raising his father’s slaves from the dead.
Can the resurrected slaves breathe life back into the Fletcher farm? Having brought the slaves back from graves that his father sent them, can Billy be the kind master his father wasn’t? Is keeping the farm worth denying the men the freedom they earned with death?
Billy’s conscience holds the key to those mysteries, but not the biggest one: what does Abraham really want from the former slave owner’s slon?
Welcome to The Fields.
Now,
on to the interview:
Gef:
Your new novella, The
Fields,
takes a rather unique twist on the zombie genre by delving into
post-Civil War era subject matter. What prompted you to go there?
Ty
Schwamberger: I wanted something different. I didn’t want to rehash
the same old “zombies are coming after us, we need to blow their
heads off” type story. I didn’t do much outlining before starting
the story, but did do some character sketching. I’ll usually jot
down a couple things I’d like to see happen, but more often than
not, the story takes on a life of its own and leads me to a different
ending. Nine times out of ten, it comes out better than originally
planned.
Having
said that… I think Jonathan Maberry, whom wrote the introduction
for the novella, said it best: “It’s part horror story in
the classic sense – misdeeds from the past coming back to haunt the
present. It’s part zombie story. It’s part adventure. And it’s
part social satire in its darkest sense. The Fields is a
morality tale. With zombies.” I wanted something deeper, more
meaningful, but also something at its core would scare the
ever-living hell outta people. I think it came out pretty damn good,
if I do say so myself.
Gef:
Do you find in your reading and writing that there is a setting or
time period where zombies just don't seem to work as a storytelling
device? Or are the undead buggers a one-size-fits-all kind of
monster?
Ty:
Well, I’m sure writers have placed the undead in all different time
periods, but I think it takes a little extra effort to effectively
pull it off. In the movies, we more or less see zombies in present
day, not in the past. I’ve heard from a few film production
companies that have read the manuscript that they love the story, but
it would be difficult to adapt it on the screen. I don’t take this
as a negative. No. I take that sort of reply that I hopefully wrote
something so unique, so special, that putting it on the “big
screen” just wouldn’t do the story justice. At least I like to
think that way.
Gef:
Now that you're working with The Zombie Feed, are you a little
zombied out yet? Or is your appetite for zombie tales an insatiable
one?
Ty:
Good question. First, I’d like to mention that Jason Sizemore
(owner of Apex Publications) actually picked up The
Fields almost
a year before I took over as managing editor of The Zombie Feed
Press. Having said that, The
Fields is
my first zombie story. Again, I didn’t want to rehash what others
have already done, so I wanted to wait till I had an original idea
before pounding out a story. I’ve always loved zombie books and
movies, and I love the business side of publishing just as much as
the creative side, so when Jason asked me to take over TZF it was a
logical next step for my writing/editing career. I’m definitely
having fun with it all!
Gef:
Aside from zombies, The
Fields
also tackles the whole father/son dynamic as your main character
inherits his family's tobacco fields, and it doesn't sound like his
dad was the best moral influence on him. Is he a character you had in
mind before the thought of zombies entered into the fray?
Ty:
Below was my thought process behind The
Fields:
- “Wouldn’t it be cool to write a zombie story?!”
- “I need to come up with an interesting setting for the story…ah, the middle 1800s after the slaves were freed.”
- “I need to come up with an interesting way to bring them back to life…ah, how about a stranger wanders onto a plantation, where the tobacco fields are dying, and offers up an incantation to bring them back to life to help out in the fields.”
- “The son of the former slave owner would probably be dealing with his inner demons on whether to save the land or let the dead slaves remain underground and in peace…”
- “What does the stranger want from the farmer?”
Those
are the questions I asked myself prior to and while writing the
story. I don’t want to say too much else or I might give away the
farm, err, the fields.
A big thanks to Ty
for stopping by the blog and for the interview. You can follow Ty on
his blog tour, as his next tour stop will be at Hunter Shea.
You can purchase The Fields and learn more about it by visiting: Apex Book Company or Amazon.com.
You can purchase The Fields and learn more about it by visiting: Apex Book Company or Amazon.com.
Ty
Schwamberger is a growing force within the horror genre. He is the
author of a novel, multiple novellas, collections and editor on
several anthologies. In addition, he’s had many short stories
published online and in print. Two stories, ‘Cake Batter’
(released in 2010) and ‘House Call’ (currently in pre-production
in 2011), have been optioned for film adaptation. You can learn more
at: http://tyschwamberger.com.

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