Title: When You Are Engulfed In FlamesAuthor: David Sedaris
Publisher: Little, Brown & Company (Hachette Book Group)
Published: June 2008
Pages: 323
Genre: Non-Fiction; Humorous Essays
ISBN-10: 0-316-14347-2
ISBN-13: 978-0-316-14347-9
To have heard some harsh critics talk about David Sedaris, I—with my plentiful ignorance—thought him to be a pretentious prick passing himself off as a humorist. The east coast liberal elitist. You know, that old chestnut. This was years ago, before I ever heard the man read his work aloud or read it for myself. I know better now.
It's not that I used to hold any real disdain towards the guy. I merely adopted the opinions of talking heads I foolishly assumed knew what they were talking about. To hear them describe Sedaris' work, I figured there'd be little reward in reading it for myself. It's an old, dispicable habit of mine, which I've put an end to and rarely fall back on. It can creep back from time to time, when I form preconceptions on someone else's work before reading it—just ask me about Lauren Conrad or Joe the Plumber each writing a book ... allegedly.
My opinion of Sedaris' work is my own nowadays, and I must wholeheartedly disagree with those who claim he's devoid of literary talent. Sure, he might come off as a little prudish, but it's by his own admission through his writing, and it's not like he revels in it. He seems to chastise himself constantly for his bad habits and irritable attitude. A self-deprecating wit can do a lot to endear a person, as far as I'm concerned.
The collection of essays in this book have, for the most part, appeared in previous publications. But, since I don't read The New Yorker or GQ, then it was all fresh ground for me. Each on their own, these essays are more anecdotal and quaint than anything else. Together, they provide a portrait of a man I found myself inexplicably identifying with on more than one level. It seems he and I are both irked to no end by passersby who say the stupidest crap, yet we can't get enough. He also feels far more comfortable writing and being a fly on the wall than participating in a social setting like a dinner party or something similar—what the heck am I going to contribute this chat on foreign policy?
I didn't laugh uproariously while reading this book, but Sedaris' skill at weaving a story is clear and he knows just how to stack up the unfunny bits to create one very funny one. The favorites I took from this collection included "That's Amore," in which I got to know his old neighbor Helen and her unparalleled callousness and vulnerability, and "Crybaby" with Sedaris' admission and amusement with a fellow airline passenger's grieving, coupled with his own spontaneous fit of tears. That last one I had previously heard recited in a podcast from either Simon Says or the Guardian Book Club, and it's as funny now as it was a year ago.
For the loyal fans of the man, I doubt they felt like they were exploring a lot of new territory with this collection of previously published works, aside from Sedaris' journal from Japan on his quest to quit smoking, titled "The Smoking Section." For someone that hasn't read his work or even heard of the man, it is a wonderful glimpse into the life of a guy with as much neuroses as Woody Allen could ever dream of having. He's not all bad, though. He did manage to quit smoking.





Valkyrie – Sometimes it can be hard to look at Tom Cruise and not envision him jumping on Oprah's couch, or pissing and moaning about psychiatry (or is it psychology Scientologists hate?). This movie had a brilliant, heavy-hitter cast, however, so I had no trouble just admiring the performances on the screen. I think I heard every accent in English imaginable through this movie ... except German. Go figure. The story was told nicely enough, and managed to keep some measure of tension even though any viewer with a vicarious hold on world history knew the assassination attempt failed. The movie was ultimately forgettable for me, I must admit, because I didn't feel any kind of emotional attachment to a single character. I should have given a damn about Cruise's character, or at least admired his efforts through the futility of the mission, but I didn't. I don't think people are missing out by avoiding this movie.
The Broken – Psychological thriller? Well, it was psychological, I'll give the makers of the movie that much. "Thriller" is not a word I would use for this movie, though. "Protracted" is a better word, in my estimation, as I couldn't wait for the big swerve to come around, which was telegraphed early on in the movie. I felt very little suspense, and every character came off as flat and uninspired. The most intriguing thing about the movie for me was trying to figure out if the lead actress is the same one who worked on The Sarah Connor Chronicles. I think so, but I don't care enough to Google it or check IMDB. If you liked this movie, good for you. Mirrors with Keifer Sutherland is a better movie (better than this anyway), so watch that.
Gran Turino – Very good movie. It's Clint Eastwood. Watching the trailers for this one, I thought it was like a Dirty Harry-meets-Grumpy-Old-Men. But, without the comedy. I was wrong—it was kind of funny in spots. The guy who played the priest was absolutely terrible, however, and I wanted to skip every scene he was in. Whoever that guy is does not have a future in movies ... though, if Shia LaBeouf can make it, anyone can. Aside from the red-headed scene-spoiler, everyone else in the cast did a good job. Two hours was a bit of a stretch in telling the story, but it worked towards the end as every loose string gets tied. I think there might even be a drinking game for this movie, as there were quite a few clichéd devices used through out the plot. Forgivable, though ... It's Clint Eastwood.










